Author Indu Sundaresan at the Hyderabad Literary Festival 2012
Indu Sundaresan on how the past can come alive with a touch of imagination
Indu Sundaresan on how the past can come alive with a touch of imagination
She just finished submitting her book, The Curse of the diamond (The curse of the Kohinoor for
Indian editions), based on the last 50 years of the Kohinoor diamond in
India. Indu Sundaresan has carved a niche for herself as a historical
fiction writer, weaving word after word using imagination, research and
history. She brings alive princesses and palaces, kings and queens, the
Mughals and the desert dwellers. She has written a trilogy titled Taj Trilogy including the The Twentieth Wife, The Feast of Roses and The Shadow Princess. The books contemplate the life of empress Nur Jahan.
History
is made up of facts and Indu's forte lies in doing research; she
approaches an idea for a book with her foot set steady in libraries,
reading incessantly and taking notes as she goes. “I began with The Emperor's Memoirs for
starters because I don't read Persian or Turkish, the original
languages the memoirs were written in. The best source of information is
also the numerous travellers' tales from India. They left a good
snapshot of what Mughal India was actually like,” she says, speaking to
us on the sidelines of the Hyderabad Literary Festival. Indu adds, “I
write historical fiction but I borrow from my own experiences as well.
In The Splendour of Silence, I have the characters visit a biradari in
the desert. This stems from an incident when my sister and I went to
visit such a place when we were younger and witnessed a cow collapse
when a man hit it hard,” she says. The incident, she says, has no
bearing on the storyline, but this is how she personalises her work.
Is
there a scope for factual errors when fusing history and fiction? Indu
says that she made an error in her trilogy, when she wrote of a Mughal
recipe with tomatoes; in the time period that she was writing about,
India hadn't even heard of tomatoes. “Mistakes are good; they keep you
grounded and you'll be careful the next time” she says.
Moving away from the historical fiction genre, Indu has written a book of contemporary short stories, In the convent of little flowers.
But she declares her love for research and reading with vigour, “I
enjoy recreating this world of the past. To an extent it's a world that
we don't know anything about apart from books and other people's
narratives. It takes a little bit of more work to create it. I enjoy
fusing it with the contemporary to feel the heat, dust and emotions.”
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