Wednesday, November 20, 2019

What are the effects of quitting social media?

Why I chose to leave social media


Social media sources are a time drain — there is no denying that. What happens when you remove this time drain from your daily life? What benefits will you reap, and what negative effects will you experience? Will you become a social outcast if you’re not up-to-date with the worldwide news? To answer these questions, I went on a week-long cleanse from social media.

A large portion of the time that you spend on your phone is spent browsing through Instagram, Twitter, Facebook, Snapchat and other social apps. I was completely unaware that I spent nearly three hours a day on my phone until I checked my “Screen Time” in iOS settings. Ohio University’s The Post surveyed 50 students and found, “Students who took the survey spent an average of about four hours and 25 minutes on their phones — 50 minutes more than the national average of three hours and 35 minutes per day that eMarketer found US adults spend on their phones.”

In the app I used for this experiment, I was able to see how many times I picked up my phone, time spent on each app and notifications per day. You may be surprised by how quickly your screen time adds up. Even without social media, I was averaging about an hour a day staring at my phone screen.

The goal of this experiment was to document the effects I felt from deleting social media apps for one week. It is important to note that there is the possibility of confounding variables in my results; a productivity increase may actually be the result of higher caffeine intake instead of lack of social media. I didn’t track all these confounding variables, so it is important to acknowledge their likely influence on my experiment.

I mainly used Instagram for entertainment and to ease my boredom. On Instagram, I had three accounts, was an active member of many group chats and used it as a source for both my social happenings and real-world news. I also used Snapchat and Twitter whenever Instagram got boring. Once in a blue moon, I would hop on Facebook to see what my parents were up to and take a glimpse into the world of old people.

Deleting my social media was not an easy task. I decided it would have to be done like taking off a band-aid — fast and without hesitation. In my 8 a.m. Monday economics class, I deleted my social media.

I can’t say that there wasn’t a sense of loss. Judging by the countless times I tapped away at where Instagram used to be on my home screen, I probably had some sort of subconscious denial going on. Luckily, this “itch” faded around day four of the experiment.

Deleting social media forces you to be present with yourself. Without it, you no longer have a way to ease feelings of boredom, frustration, laziness and loneliness. However, with boredom comes curiosity. I found that while being distraction-free, I had a more productive mindset. Without Instagram and Twitter, reading actual books became a lot more interesting than before. Without Snapchat, I gained an amateur appreciation for cool photos. Without Facebook, I haven’t kept up with the ladybug invasion terrorizing my hometown.

That productive mindset translates into tangible productivity. Studying, homework, extra curricular and other parts of student life are more meaningful, and thus I applied more effort to them. I’ve noticed a considerable increase in personal determination and effort towards academics and extra curricular. Deleting social media opens a gap in your life that has otherwise been filled for quite a while. Rarely do I recall a fraction of the massive load of information that I am exposed to on social media. The constant stimulation that occurs when social media is available is distracting and a hindrance to your concentration. Some thoughts take time to develop, and a Snapchat, direct message or Tweet can stop those thoughts from developing.

Those who delete social media will also experience better sleep. Electronic screens emit blue light, which has been found to negatively impact sleep due to the light delaying the release of melatonin, which promotes sleep in the body. Compared to trying to sleep after being over-stimulated from social media, I observed an easier time drifting off when reading a book before bed.

It is common practice by students to disconnect from their phone while focusing on a task. While this may be effective when studying, it also serves as proof that social media is a distraction, and, it becomes necessary to recognize social media as a threat towards reaching that mindful state required for studying. This makes me wonder, what would happen if the same distraction-free focus was applied all day?

Obviously, a distraction-free day would be difficult. Many social interactions today rely on the use of text messaging, which is itself distracting. In order to achieve a truly distraction-free day, a cell phone, among many other things, could not be present.

In the end, the experiment did not stop after a week. Four weeks later, I still have no social media on my cell phone, and I doubt I will re-download it while at college. I am reaping the benefits of the constant distraction-free environment, and although it may seem like I am disconnected from my friends, I have realized that the fewer conversations carried out through text message, the more meaningful the friendships are.

If you’re looking to get better sleep, be more productive, become more focused, creative and mindful as finals approach, deleting social media from your cell phone is a great way to do so. It is important to keep in mind that you don’t need to delete it forever, but a week-long cleanse may allow you to focus on work, studying or a project at hand. Being an active member of a social media source requires your time. If you’re feeling stressed and short on time, deleting social media is a great way to free up a few hours of your day.

Tuesday, November 19, 2019

INFINIX IS GEARED UP TO LAUNCH PAKISTAN’S FIRST 32MP IN-DISPLAY SELFIE CAMERA PHONE, S5


20th November 2019, Pakistan: Leading smartphone brand Infinix is gearing up to expand its S series portfolio in Pakistan with the new Infinix S5. For the launch of this new addition, Infinix has partnered with Pakistan’s A-list celebrity Sana Javed. Infinix S5 comes with a 32MP In-display selfie camera, a beautiful 6.6” punch hole display, outstanding quad rear camera setup and first of its kind crystal feather pattern design. Infinix S5 will come in three different variants, S5 Lite, S5 4+64GB and S5 6+128GB. The official sale for Infinix S5 4+64GB and S5 6+128GB will begin from 25th November both offline and online exclusively on daraz.pk. Infinix S5 4+64GB will come with a price tag of Rs. 23,999 whereas Infinix S5 6+128GB variant can be purchased for Rs. 27,999. Those who will buy S5 online from Daraz.pk will get free Infinix Xband along with the phone.

All the three variants of Infinix S5 will boast a 6.6” punch hole display allowing users to enjoy a screen-to-body ratio of 90.5%. S5 4+64GB and S5 6+128GB will feature a 32MP In-display selfie camera with HDR+ backlit selfies and quad rear camera setup. On the other hand the S5 lite will feature a triple rear camera setup with 16MP In-display selfie camera. All three variants of S5 are powered by a big 4000mAh. For enhanced security, finger print sensor and face unlock feature can be found on all three variants. In terms of Operating System, all three variants will run on Android 9.0 with XOS 5.5.

Talking about Infinix S5, Infinix Mobility Country Head, Mr. Joe Hu said, “Infinix S5 is the first smartphone in Pakistan to offer a 32MP In-display Selfie camera and 6.6” Punch hole display available at a competitive price. At Infinix, we understand the needs of customers and therefore we offer them the latest technology at an affordable price. S5 is a powerful device that offers both style and superior performance to the users. For all three variants, we have set a competitive price so that everyone can use and make the most out of it.”

S series is a mid-budget series designed for selfie enthusiasts. The series is globally known for delivering smartphones with exceptional selfie camera. With Infinix S5, the brand has strengthened its S series portfolio.

To experience the phone first hand make sure to get it upon its release.
S5 and S5 Lite specifications:
S5 S5 Lite
Network: 4G/3G/2G 4G/3G/2G
OS Version: Android™ 9 Pie Android™ 9 Pie
Processor: MediaTek Helio P22 MediaTek Helio P22
Display: 6.6-inch HD+ Punch Hole Display 6.6-inch HD+ Punch Hole Display
Battery: 4000mAh 4000mAh
Selfie camera: 32MP In-Display 16 MP In-Display
Rear camera: 16MP+5MP+2MP+QVGA 16MP+2MP+QVGA
Memory: 4GB RAM+64GB ROM & 6GB RAM+128GB ROM 4GB RAM+64GB ROM
Colors: Crystal quetzal feather pattern design: Sparkling design:
Quetzal Cyan, Nebula Black and Violet Quetzal Cyan, Midnight Black and Violet

Facebook Receives About 500,000 Revenge Porn Complaints Monthly

Facebook has a team of around 25 people -- excluding content moderators -- that works full-time fighting revenge porn.Facebook has a team of around 25 people -- excluding content moderators -- that works full-time fighting revenge porn.



Social media giant Facebook, which also owns popular apps Instagram, Messenger and WhatsApp, reportedly assesses about 5 lakh reports of revenge porn per month.

But this number seems low considering Facebook now has around 2.6 billion monthly active users.

Earlier this year, Facebook launched artificial intelligence (AI) tools that could spot revenge porn, also known as non-consensual intimate images, before being reported by users, NBC News reported.

In 2017, the company launched a pilot project that let users submit intimate pictures to the platform as a means of training its AI tool to identify and remove such pictures if they appeared on the platform.

"In hearing how terrible the experiences of having your image shared was, the product team was really motivated in trying to figure out what we could do that was better than just responding to reports," NBC News quoted Radha Plumb, head of product policy research at Facebook.

Facebook has a team of around 25 people -- excluding content moderators -- that works full-time fighting revenge porn.

The team's goal is not only to quickly remove pictures or videos once they have been reported, but also to detect the images using AI the moment they are uploaded, to prevent them from being shared.

13-Day Long International Islamabad Art Festival Starts


ISLAMABAD, Nov 18 (APP):A 13-day long an international Islamabad Art Festival (IAF-19) is kicked off on Monday at the Pakistan National Council of the Arts (PNCA). A grand opening of the event showed dance performances of Indonesian, Chinese and Pakistani dancers. Art exhibitions were inaugurated by the artists coming from across the globe as well as Pakistan. The opening was a tribute to Jamil Naqsh at the same time acknowledging his contribution and meritorious services in the field of visual art. IAF-19 will continue for 13 days, before an elaborate closing ceremony on November 30, 2019.

The thematic focus of IAF-19 is a “Dialogue between Tradition and Modernity”.

PNCA Auditorium was packed to its capacity. People from all walks of life including artists of Pakistan, USA, Indonesia, China, Switzerland, Austria, Iran, France and Spain attended the show. The guest artists were warmly welcomed by the audience when called on stage.

The festival was being organized by a consortium of public and private educational institutions, art galleries and artist associations from across Pakistan, generous support from the corporate sector and in collaboration with foreign embassies whose senior representatives have also graced today’s curtain raiser.

IAF-19 is led by President and Chief Curator Jamal Shah, who worked in close collaboration with curators and artists from across Pakistan and abroad to bring together a vibrant show of visual and performing arts on a scale never before seen in Islamabad.

IAF-19 is a collaborative project and will be hosted in several locations in Islamabad and Rawalpindi, including museums, art galleries, educational institutes and public parks. The festival is expected to engage an audience of at least 500,000 individuals from diverse backgrounds and ages. The participants of the festival will include over 200 individuals from 34 countries, and approximately 400 participants from across Pakistan.

It is for the first time that expression of almost all forms of art will be showcased together. Painting, sculpture, drawing, printmaking, textile design, dance, music, film, puppet shows, theatre, fashion design and performing arts from across the world will be available to satisfy the cultural aesthetic people in general. Simultaneously, Literature from different Lands is also being focused. An International Literary Conference is also being held in the ambit of the Festival. Discussant will comprise of prominent writers and poets from about 20 Asian African countries. They will assemble under the banner of a three day “International Writers Conference-Islamabad 2019. Their deliberations and poetry recital sessions will engage literature and academia circles to promote understanding of the cultures and mores of people from different parts of the world. All these art forms are being presented in venues open and accessible to the public.

At IAF-19, local artists will create, exhibit and perform right alongside their foreign counterparts, and catapult Pakistani art to new heights worldwide. Emerging artists will have an opportunity to interact with established and highly-respected artists and exhibit their work together on this collaborative platform. The aim of the festival is to celebrate diversity and creativity in all forms of visual and performing arts. The spirit of creativity brings people together and strengthens society as a whole.

Collaborating with international artists will foster stronger relationships through cultural dialogue and exchange of ideas, and elevate Pakistani art and culture on a global level.

The academic component of IAF-19, developed in partnership with leading educational institutes of Pakistan, will include conferences, lectures and panel discussions; book launches; and interactive workshops for children and adults. There will also be a video contest encouraging students to explore the culture and heritage of their part of Pakistan.

An art festival of this scale will have a far-reaching socioeconomic and cultural impact. It will broaden public access to creative and performing arts, and encourage people to explore their own creativity through workshops and interactive public art programs. It will also provide a shared platform for artists, performers, and scholars to develop a framework to further art education in Pakistan.

In Praise Of Sindh’s Textile Culture

LONDON: The Director of Mohatta Palace Museum Karachi is attempting to redefine the perception about Sindh’s vibrant textile culture abroad.



Nasreen Askari has just published a book in London called “The Flowering Desert: Textiles from Sindh” which exemplifies

Nasreen Askari’s passion for Sindh’s culture and her commitment to the textile traditions of the province.

In an interview with Geo News at her home in Knightsbridge, not far from the Pakistan High Commission, Nasreen Askari said that the book was an attempt to promote a revised narrative about Pakistan — “to present an aspect of Pakistan that is both unknown and unheralded”.

 She said that the book, co-authored with her husband Hasan Askari, is just one attempt to redefine perceptions about Pakistan and its diverse culture. “The more people that get involved in this effort, the better. I work at a museum in Karachi and we have a small museum shop. The most popular items at sale are the ones made by our artisans with their hands.”

 For Nasreen, this has been a life-long odyssey. She co-curated the first ever exhibition of Pakistani textiles (Colours of the Indus) at a national museum in the United Kingdom in 1997-98. The exhibition was also shown at the National Museum of Scotland, Edinburgh. She is co-founder of the Mohatta Palace Museum, a position she has held for twenty years. Nasreen, originally an oral surgeon, developed an abiding interest in textiles in the early 1970’s, a conversion that she describes in her book.

 The textile traditions of the country date back to 5000BC with evidence of woven clothes discovered in both Mohan jo Daro and Mehrgarh (in Balochistan), she said.




Nasreen Askari has just published a book in London called “The Flowering Desert: Textiles from Sindh”

Nasreen Askari said: “We are indebted to the British for documenting and preserving aspects of our culture and the V&A is a great repository of our traditions. It is unfortunate that we don’t get to see these objects very often. The skills of our craftsmen are unique and we should make every effort to sustain them. The book vividly illustrates the extent of their craft and the hope is that it will encourage support for both craftsmen and their product.”

 Speaking about organising the iconic exhibition at the Victoria & Albert Museum in London, Nasreen Askari said that relationship of the United Kingdom with the sub-continent is deep and old.

 “It’s because English artisans have studied here and kept arts pieces safe. A stores today from Pakistan and other parts what these countries don’t have. It was in 1997 when we thought of doing exhibition of Sindhi arts and culture for around three months. The exhibition went on for seven months and was so successful it went from London to Scotland and then to Pakistan. The clothes and arts pieces we brought from Sindh were hugely appreciated.”

 She said that her boo’s focus is on Tharparker, East of Sindh, a desert area. “It’s a difficult terrain with extreme weather and people live in tough conditions. Recently some development work had happened. A firm has found coal in the area. This will help local people as houses have been made for them but their culture and artecraft will change.”

 Hasan Askari, an investment banker by profession but now Chairman of a London-listed Company, said that his had been a supplementary role in the book. Hasan, a former trustee of the British Museum and a major collector of art and artefacts from Pakistan, has focused principally on the unappreciated importance of Sindh in the flow of ideas and goods between Central and West Asia and the Indian sub-continent. He has also written about the role of the Hindu in the development of Sindhi craftsmanship before Partition. “

I have just attempted to set the record straight—it is important to acknowledge that the culture of this province was not monochromatic. This is particularly relevant when all over the world, but more so in our neighborhood, perceived wisdom is being redrafted and a version of truth is emerging that is not consistent with truth as I have known it.”

 Hasan Askari said that until 1947, nearly 30 percent of the total Sindhi population comprised of Hindus. He said many people are today not aware that Karachi, Hyderabad and Shikarpur were majority Hindu areas at one point. “In the book, we have shown that Hindus played a major role in Sindhs arts and crafts. This appreciation is important because we want in our country whatever we have produced.”