The Imaginarium of Doctor Parnassus.' Production designer and native Anastasia Masaro has been co-nominated for the Oscar for Art Direction.
The 2010 Oscar nominations have given an unexpected boost to the artistic vision of Canadians on the cinematic world stage. In the category of art direction, three out of five nominations include Canadians, two of them from
Set designer Gordon Sim, 58, who shared an Oscar in 2003 for his work on the film
Production designer Anastasia Masaro, 35, has been nominated for The Imaginarium of Dr. Parnassus. And production designer Patrice Vermette of
Art direction is an unusual Oscar category, Sim noted, a sort of hybrid award combining the talents of a production designer, who createsthe overall vision of the film, and the set designer or decorator, who implements it.
"Art direction is really the look of the film, how the film looks visually ... in conjunction with the cinematographer. It's the physical embodiment of the film, it's the sets, the things that belong in the sets and the ideas behind them," said Sim, who is co-nominated with production designer John Myhre.
Sim said he and Myhre worked on the Nine sets on a speedyschedule in
"Doing a musical (film) is complicated because there's a huge rehearsal period," Sim explained."It's like doing theatre, in a way. There's a rehearsal period where parts of the set have to be built so that the dance numbers can berehearsed on them."
Sim is used to such challenges, having worked as a set designer atthe Stratford Shakespeare Festival and the Shaw Festival.Now Sim is working with Myhre and Marshall again in
Masaro, a
Masaro said the film shoot in the
Vermette, who is nominated along with set designer Maggie Gray, hasworked before with Québécois filmmaker Jean-Marc Vallée. Before TheYoung Victoria, Vallée and Vermette's best known work was the 2005 coming-of-age drama C.R.A.Z.Y.
When Vallée was tapped to direct The Young Victoria by the film's producers – including the legendary Martin Scorsese – Vallée insisted on bringing a handful of key people along, including Vermette."We tried to be as accurate as possible," Vermette said. "We just read and read and read about the royal family and the era in which the film takes place. It was an extensive course in British history."
No comments:
Post a Comment